Installation view, Alois&Alesja, 2017

Hab ich gedacht / Hast du gedacht
exhibition with Fabian Anselm Orasch

Installation view, Museum Wilhelm Morgner, 2016

Ein Tisch, 40 Kisten und kein Schrank

For Adam, 2016
artificial leather, fabric, steel

Workplace Relationship 1+2
A Eduardo
o.T. 1+2, 2016
photograph on aludibond

precarious times, 2016
Wood, vase, acrylic

Installation view, von Eseln und Zöpfen, Soest 2014

untitled, 2014
Installation and action with Julia Sinner
Fabric, acrylic paint, plates, plants, vase, table, a.o.

DIE ZUFÄLLIGKEIT DES BEGEHRENS 1 + 2, 2014
photograph on aludibond
55 x 33 cm

Installation view, Herrenhaus Edenkoben, 2014

GRÜNE ECKE IM TOPF GEFANGEN 1 + 2, 2014
Vases, plaster, welding wire, fabric, spray, acrylic paint
size of installation: 10 Vases h 130 x Ø 300 cm
96 x 98 cm

Installation view, Herrenhaus Edenkoben, 2014

BLÄTTER BEMALEN UND ZAHLEN ZÄHLEN 1 – 4, 6 + 7, 2014
watercolor / acrylic paint on paper
21 x 29,9 / 27 x 39 cm / 29,5 x 41,5 cm

BLÄTTER BEMALEN UND ZAHLEN ZÄHLEN 5 + 9, 2014
acrylic paint on paper
96 x 66 cm

Installation view, Herrenhaus Edenkoben, 2014

KONTUR VON WEISS ZU HAUT 1 – 3, 2014
wood, painted steel, fabric, acrylic paint (only number 3)
246 x 240 cm / 242 x 232 cm / 220 x 230 cm

KEIN PFERD AM SONNTAG (No horse on Sunday), 2014
photograph on aludibond
110 x 77 cm

Installation view, Raum 365, Leipzig 2013:

ERINNERTES, 2013
fabric, steel, h 280 x Ø 190 cm

gewgaw, 2013
photograph on aludibond
38 x 28 cm

Installation view, Raum 365, Leipzig, 2013 / Projectspace Im Hinterzimmer 2013

JOANIE’S BATHROOM, 2013
wood, welding wire, fabric
(size of installation variable) 7 / 14 palm trees: h 100 – 250 x Ø 120 – 140 cm

IN DEINEM BILD WOHNEN (living in your picture), 2013
photograph on aludibond
51 x 75 cm

Installation view, Raum 365, Leipzig 2013

both drawings:
UNTITLED, 2012
watercolor on paper
42 x 29 cm

#2, 2012
Performance: Bradley Alexander, Nele-Marie Gräber
Badischer Kunstverein Karlsruhe
Images: Pietro Pellini

The content of the performance was a conversation between Bradley Alexander and Nele-Marie Gräber regarding a possible prenuptial agreement, its specific points and their own opinions on the matter. The artists used an electronic “string-telephone” (object: Bradley Alexander) in order to communicate between separate but adjacent rooms. The viewers were able to individually listen to the conversation over a pair of headphones which tapped the telephone connection.

UNTITLED, 2012
fabric, browned steel
81 x Ø 245 cm

Warum Bilder von Sonnenuntergängen
kitschig sind und man Verliebtheit nicht
erzählen kann, 2013
steel, can, acrylic on paper, vase, papyrus plant
120 x 35 x 35 cm

TELLER ESSEN AKTION
(PLATES DINNER ACTION), 2012
Nele-Marie Gräber, Julia Sinner
Werders Wohnzimmer, Karlsruhe
Images: Katrin Lautenbach, Bradley Alexander

The performance comes together from various elements: plates, space, and food. The starting point was a collection of 150 pre-owned plates, whose already existing structures and designs were painted over by hand and then re-fired.
            The space was a private apartment whose main bedroom in the top floor was turned into a “kitchen”, where viewers were able to view the upstairs half of the performance through an opening in a suspended bed sheet which divided the bedroom/kitchen into a space for working and a space for viewing. The artists were equipped with a table, a gas cooker, a refrigerator, as well as various groceries. The action took place over a period of six hours, in which already prepared food and food prepared in the upstairs kitchen were placed onto the painted plates forming colorful designs. The plates were then let down through the window on a self-built lift, in which they were delivered into the house’s inner courtyard where the viewers in the downstairs half of the exhibition were able to consume the food and purchase the plates.

sweet, sweet home, 2012
fabric, browned steel
47 x 60 x 40 cm

Installation view, Arbeitstitel, Stuttgart, 2011

all drawings:

untitled, 2009
watercolor on paper
29 x 21 cm

untitled, 2011
browned steel
30 x 48 x 9 cm

drehdich, 2011
fabric, browned steel
173 x 68 x 78 cm

untitled, 2011
sheepskin rug, graphite, browned steel
187 x 134 x 107 cm

Faltenwurf (drapery), 2011
fabric, steel
60 x 160 x 16 cm

01 Fragment (01 fragment), 2011
velvet: 11 x 11 x 0,7 cm
steel: 183 x 21 x 12 cm

Nudel Aktion, 2011
(performance with noodles)
Performance: Nele-Marie Gräber, Julia Sinner
Kunstraum Morgenstraße, Karlsruhe

The Nudel Aktion (Noodle Action) is a performance structured from two parts that took place as part of exhibition format Five in a row 3, which shows five artist’s positions in five hours. Through this, the first part of the action was limited to 45 minutes. In this time, Nele-Marie Gräber and Julia Sinner worked 3 kg of dough into noodles, which were then placed over a laundry rack to dry. The viewers were not able to enter the space during this time, rather were able to observe the artists through two large glass windows from the street.
            The doors were opened for the second part of the performance, which gave the viewers the opportunity to help themselves to the newly formed noodles. In a space partially divided from the main room that was not visible from the outside was a large pot of cooking water, plates, silverware and parmesan cheese for the viewers to prepare their noodles.

untitled, 2010
velvet: 172 x 225 cm
steel: 73 x 90 x 51 cm

Eigentlich
ein Blumenstrauss, 2011
Photography
10,5 x 14,8 cm
Image: Pietro Pellini

untitled, 2010
fabric, steel, glass
200 x 180 x 92 cm

untitled, 2012
Photography